Glazing with Duncan Renaissance Glazes – Part One: Antique Celadon

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Hello! Welcome to my new blog series on glazing tips.

I’m starting with Duncan Renaissance Glazes. I love these glazes! I stumbled across them a while ago, I don’t remember when exactly, and I don’t remember how I found them, but I’m so glad I did. They’re user-friendly, they brush on so easy. I like glazes that are easy to use and consistent, and this glaze is one of them.

These glazes vary, depending on the thickness you use, whether it has texture or not, and how much texture it has. The more texture, the better it looks. Where you place it in the kiln, makes a difference also. Pieces placed at or near the bottom of the kiln are greener, darker and react more with the texture. The pieces at or near the top of the kiln are lighter and don’t usually have a rustic look. I also think it depends on the brushes you use as well.

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I use fan brushes for most of my pieces. I use a small brush for the rims, edges and for detail work. For small pieces like ornaments, I use a small fan brush or a small brush, when I run out of clean fan brushes.

As you can see from the photo above, my bird ornament is lighter than my birdie bowl. It has less texture then the birdie bowl, there are several areas on the ornament that have no texture at all, verses the birdie bowl which is completely covered with texture and it was placed at the top of my kiln.

Before I start glazing, I apply wax resist on the bottom of my ornaments, and then I go up the sides just a little, so the glaze doesn’t go all the way to the bottom. I apply three light coats on the top only, and two light coats on the sides. I don’t want any drips or any ornaments sticking to my shelves. When I fire my ornaments. I place them on kiln stilts to raise them up off the shelf.

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I apply wax resist to the bottoms of my birdie bowls. Then brush on three coats of glaze on the top, and bottoms except for a small area where the wax resist is. I have several sizes of fan brushes and usually use one of the smaller ones. Then I use a regular small brush for the edges.

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As you can see from this photo, the green bird ornaments all look-alike for the most part. The butterflies look darker…they have more texture, and they were placed toward the bottom of my kiln.

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This photo shows you the difference between a textured surface verses a non-textured surface and kiln placement. The small bowl at the top of the photo was placed at the bottom or near the bottom  and has no texture. The leaf bowl was placed near the top of my kiln and has a little texture.

This is what the glaze looks like on my non-textured ruffle rim bowls. The bottoms were waxed with wax resist and then three coats were applied to the bottoms, inside and rims. They were placed near the bottom of my kiln.

This heart dish was glazed with three coats of glaze on the bottom and top, using a smaller fan brush, and three coats on the sides/edge with a small brush, after it was waxed, like the birdie bowls. This one looks like it was placed near or at the top of my kiln.

The green leaf magnets were glazed like my bird ornaments, three light coats on the top and two coats on the sides. They were fired toward the top of my kiln, see how light they are. The maple leaves were glazed with three coats and are usually placed in the middle of my kiln.

This is one of my handmade dinnerware collections called Lake House, formally known as Brooklawn Park. This glaze loves texture, it makes Lake House look fabulous!

Each piece is slightly different, and completely covered in texture.

I use a large fan brush on the plates and a medium size one for the bowls. They all have three coats of glaze on the bottom (except where I waxed with wax resist), and the top and I apply three coats on the rims with a small brush.

This is another one of my handmade dinnerware collections called Tropical Breeze. They’re glazed just like Lake House, three coats on all sides. But it looks different. The glaze pools in between the raised lines.

Vintage Cottage is another one of my handmade dinnerware collections. As you can see from the photo, the plates were fired near the bottom of the kiln and the bowl was fired near the top. The plates are more rustic looking. I love this glaze!

I hope this has been helpful.

I think part two will be – Vintage Blue

Thanks for stopping by, see you next time! 

Pottery Inspiration Boards

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Oh, Wow! I can’t believe I haven’t posted since August.

There’s been so many things going on in my life, one of them was participating in #NaNoWriMo (National Novel Writing Month) again this year and I won…Yay!

While I was in the middle of writing for #NaNoWriMo, I had an idea. Since I make Inspiration Boards and Mood Boards for my books, why not make Pottery Inspiration Boards. So, right after I finished NaNo, I started making them. I really needed a break from writing and my story needs to simmer for a while anyway.

It’s been so much fun making these

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This is the first one I made.

I can’t even tell you how much I miss making pottery, but more about that later.

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I can’t wait, until I can feel clay in hands again, feel it squish through my fingers when I throw, I even miss the way it smells.

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I’m not sure If I’ll continue with this Dinnerware Collection? I haven’t decided yet. I do know that since moving to Arizona, my work is heading in a different direction.

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Lake House is one of my designs that I will continue to make.

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Backwater Bay is another design I will continue to make. It’s my favorite.

I have some big news coming soon!

I’ll tell you more about it, the next time I post.

Hopefully, it will work out the way I’m hoping it will.

Thanks for stopping by.

See you soon!

 

Underglazes

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These are some of my underglazes

and here’s what I do with them.

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Dinnerware…underglazed bottoms

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Ring Bowls

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Heart Dishes 

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Heart Ornaments

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Rings

Going through these photos made me realize…I’ve been using a lot of purple, black and red lately. Time to use another color!

Quilted

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Work in progress!

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I haven’t decided what to do with this design…yet!

When I started making these plates, I put the design on the bottom…because I wanted a smooth clean surface on the top of the plate, for food. But now, I think I might put the design on the top as well. People can choose which one they like better, or they can mix and match. For example…a dinner plate with the design on the bottom, side plate with the design on the top, and bread and butter plate with the design on the bottom, or the other way around. A dinner plate with the design on the top, side plate plain and bread and butter plate with the design on the top. I think that would be cute!

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I’m not sure what colors I’ll glaze them in yet…either?

I’ll have to make a bunch of little plates and do some glaze testing to see how they come out, especially with the plates that have the design on the top. I’ll have to use a transparent glaze or at least a glaze that works well with texture.

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I really like this design.

I’m not sure what to call it though? I was thinking about calling it Cobblestone, but I’m not sure? What do you think I should call them?

Mirror Lake

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Several months ago, I decided to create a new line of handmade dinnerware called “The Lake House Collection.” So far, there are 5 different designs, each with their own name.

Mirror Lake…which actually use to be called Brooklawn Park, is now part of The Lake House Collection. I think the swirling leaf design (reminiscent of reflected leaves in the swirling water) fits better in this collection.

mirror lake the lake house collection by melinda marie alexander from ravenhillpottery.etsy.comjpg

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Echo Lake…will be dinnerware with no texture, in the same colors as Mirror Lake. I’m thinking about putting the swirling leaf design on the bottom of the plates, but I’m not sure yet. We’ll see how it goes.

Mystic Lake…will be all about the glaze. I’ll be experimenting with glaze combinations and hopefully I’ll be able to make some magic!

Shadow Lake…will have some kind of leaf design, not sure yet though. It might be a little more moody and darker in color? I still have to figure this one out.

Sunset Lake…will be autumn colors, with and without texture.

The names I choose for the collection, are names of real lakes in Massachusetts, where I’m from. I thought it would be really nice to name them after real lakes.

I’m really looking forward to making this collection.

Check out…The Lake House on Pinterest!

What do you think of my new collection?  

 

Kiln

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This is my kiln…Charlotte Skutt. Yes, I named my kiln, and I think it’s cute!

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Here’s a little peek inside!

Usually I’m so busy loading my kiln, I forget to take photos. Then when I’m done, I remember. “Shoot, I should have taken photos!” Then one day, I finally remembered, and I’m so glad I did!

Hopefully I’ll remember to take photos more often.

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Bottom row done, on to the next row.

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Pieces ready to load.

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I start with the largest items first.

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The next row is done.

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More goodies ready to load.

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I had a lot of ornaments in this load.

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One more row, and then I’m done.

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Had some room for some test tiles.

Time to fire it up!

Raven Hill Pottery is re-opening!

Midnight…October 22

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Don’t mind the mess, I’ll be busy re-listing expired items and updating my shop!

Come on by and have a look around.

http://www.ravenhillpottery.etsy.com

See you there!