Glazing with Duncan Renaissance Glazes – Part One: Antique Celadon

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Hello! Welcome to my new blog series on glazing tips.

I’m starting with Duncan Renaissance Glazes. I love these glazes! I stumbled across them a while ago, I don’t remember when exactly, and I don’t remember how I found them, but I’m so glad I did. They’re user-friendly, they brush on so easy. I like glazes that are easy to use and consistent, and this glaze is one of them.

These glazes vary, depending on the thickness you use, whether it has texture or not, and how much texture it has. The more texture, the better it looks. Where you place it in the kiln, makes a difference also. Pieces placed at or near the bottom of the kiln are greener, darker and react more with the texture. The pieces at or near the top of the kiln are lighter and don’t usually have a rustic look. I also think it depends on the brushes you use as well.

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I use fan brushes for most of my pieces. I use a small brush for the rims, edges and for detail work. For small pieces like ornaments, I use a small fan brush or a small brush, when I run out of clean fan brushes.

As you can see from the photo above, my bird ornament is lighter than my birdie bowl. It has less texture then the birdie bowl, there are several areas on the ornament that have no texture at all, verses the birdie bowl which is completely covered with texture and it was placed at the top of my kiln.

Before I start glazing, I apply wax resist on the bottom of my ornaments, and then I go up the sides just a little, so the glaze doesn’t go all the way to the bottom. I apply three light coats on the top only, and two light coats on the sides. I don’t want any drips or any ornaments sticking to my shelves. When I fire my ornaments. I place them on kiln stilts to raise them up off the shelf.

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I apply wax resist to the bottoms of my birdie bowls. Then brush on three coats of glaze on the top, and bottoms except for a small area where the wax resist is. I have several sizes of fan brushes and usually use one of the smaller ones. Then I use a regular small brush for the edges.

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As you can see from this photo, the green bird ornaments all look-alike for the most part. The butterflies look darker…they have more texture, and they were placed toward the bottom of my kiln.

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This photo shows you the difference between a textured surface verses a non-textured surface and kiln placement. The small bowl at the top of the photo was placed at the bottom or near the bottom  and has no texture. The leaf bowl was placed near the top of my kiln and has a little texture.

This is what the glaze looks like on my non-textured ruffle rim bowls. The bottoms were waxed with wax resist and then three coats were applied to the bottoms, inside and rims. They were placed near the bottom of my kiln.

This heart dish was glazed with three coats of glaze on the bottom and top, using a smaller fan brush, and three coats on the sides/edge with a small brush, after it was waxed, like the birdie bowls. This one looks like it was placed near or at the top of my kiln.

The green leaf magnets were glazed like my bird ornaments, three light coats on the top and two coats on the sides. They were fired toward the top of my kiln, see how light they are. The maple leaves were glazed with three coats and are usually placed in the middle of my kiln.

This is one of my handmade dinnerware collections called Lake House, formally known as Brooklawn Park. This glaze loves texture, it makes Lake House look fabulous!

Each piece is slightly different, and completely covered in texture.

I use a large fan brush on the plates and a medium size one for the bowls. They all have three coats of glaze on the bottom (except where I waxed with wax resist), and the top and I apply three coats on the rims with a small brush.

This is another one of my handmade dinnerware collections called Tropical Breeze. They’re glazed just like Lake House, three coats on all sides. But it looks different. The glaze pools in between the raised lines.

Vintage Cottage is another one of my handmade dinnerware collections. As you can see from the photo, the plates were fired near the bottom of the kiln and the bowl was fired near the top. The plates are more rustic looking. I love this glaze!

I hope this has been helpful.

I think part two will be – Vintage Blue

Thanks for stopping by, see you next time! 

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Pottery Inspiration Boards

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Oh, Wow! I can’t believe I haven’t posted since August.

There’s been so many things going on in my life, one of them was participating in #NaNoWriMo (National Novel Writing Month) again this year and I won…Yay!

While I was in the middle of writing for #NaNoWriMo, I had an idea. Since I make Inspiration Boards and Mood Boards for my books, why not make Pottery Inspiration Boards. So, right after I finished NaNo, I started making them. I really needed a break from writing and my story needs to simmer for a while anyway.

It’s been so much fun making these

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This is the first one I made.

I can’t even tell you how much I miss making pottery, but more about that later.

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I can’t wait, until I can feel clay in hands again, feel it squish through my fingers when I throw, I even miss the way it smells.

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I’m not sure If I’ll continue with this Dinnerware Collection? I haven’t decided yet. I do know that since moving to Arizona, my work is heading in a different direction.

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Lake House is one of my designs that I will continue to make.

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Backwater Bay is another design I will continue to make. It’s my favorite.

I have some big news coming soon!

I’ll tell you more about it, the next time I post.

Hopefully, it will work out the way I’m hoping it will.

Thanks for stopping by.

See you soon!

 

Olive

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This glaze is called…Deep Olive Speckle

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It’s another great glaze by Potters Choice. It’s easy to use, brushes on nicely and is very consistent. I haven’t had any problems with it…at all! And it’s fantastic with texture. You can see every single detail. I really like that!

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It’s definitely a keeper!

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A while ago, I purchased two bottles of PC -41 Vert Lustre…mainly because it looked like a really nice dark green. It’s another great glaze by Potters Choice. It brushes on really nice, and it fires well…but it’s really difficult to photograph because it’s so glossy. If you don’t need to take photos, then it’s great!

After working with clay for almost 25 years, I’m getting a little picky with my glazes. They have to brush on easy (if I’m not dipping), they have to be consistent, and they have to photograph well. That’s really important if you sell online. You need good photos. So, if a glaze doesn’t photograph well…it’s gone!

I wasn’t pleased with myself for purchasing two bottles, I usually only buy one bottle at a time when trying out a new glaze. So, I decided to layer it with another glaze and see how that would work out.

I choose to layer it with Deep Olive Speckle. 

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Now, this is much better! I can photograph it…Yay!

The color is a little different from the test piece by Potters Choice, I kind of like this color better. It’s different because Potters Choice used 2 coats of Deep Olive Speckle and then 2 coats of Vert Lustre on top…four coats total. Four coats scare me, I think that’s a little too much glaze. I don’t want drips (I hate drips), and I don’t want the glaze to run onto my shelf. So, I used 2 coats of Deep Olive Speckle and 1 coat of Vert Lustre on top…three coats total. I like it! I think I’ll keep it. What do you think?

I think I’ll call this color…Pacific Pine

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Here’s a close-up view

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After trying it out on some leaves, I wanted to see how it reacted with texture. So, I tried it out on a couple of Birdie Bowls. You can see the texture through the glaze, but not as clearly as if it were just Deep Olive Speckle. That’s because Deep Olive Speckle is a translucent glaze and Vert Lustre isn’t. But, I like the way it looks. What do you think? 

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Here’s the other Birdie Bowl. There’s still some glare from the glossy glaze though. I’ll have to do some extra photo editing the next time I use this glaze combination.

I think this color would be great around the holidays.

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Since that glaze combination went well, I think I’ll try these glaze combinations, and see what happens. My test pieces probably won’t look exactly like these, because I’m not using 4 coats. We’ll see what happens!

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Hmmm…I have a lot of glaze testing to do!

Necklaces

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These leaf pendant necklaces came out really nice!

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This one was glazed in…Goldenrod by Coyote

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A close-up view

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This one was glazed in…Shino by Coyote

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As you can see from this photo…each leaf glazed in Shino comes out different, even when they’re fired in the same glaze firing, and even when they’re on the same shelf. So, each one is unique and different.

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Here’s another view

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This oval pendant necklace has a handmade bead. I’m not sure if I’ll make beads again. I don’t mind making them, but glazing something that small is not fun! 

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Here’s one with a different design.

These were glazed with the same glaze…Bronze Patina by Duncan. This glaze comes out different from piece to piece also.

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The back

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This one was glazed in…Vintage Blue by Duncan

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This round textured pendant was glazed with Bronze Patina by Duncan also. This glaze does very interesting things with texture.

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They came out nice!

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Pendants and Beads

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I’m not sure if I’ll continue making the oval and round pendants?

I might just make the leaf pendants.

Mirror Lake

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Several months ago, I decided to create a new line of handmade dinnerware called “The Lake House Collection.” So far, there are 5 different designs, each with their own name.

Mirror Lake…which actually use to be called Brooklawn Park, is now part of The Lake House Collection. I think the swirling leaf design (reminiscent of reflected leaves in the swirling water) fits better in this collection.

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Echo Lake…will be dinnerware with no texture, in the same colors as Mirror Lake. I’m thinking about putting the swirling leaf design on the bottom of the plates, but I’m not sure yet. We’ll see how it goes.

Mystic Lake…will be all about the glaze. I’ll be experimenting with glaze combinations and hopefully I’ll be able to make some magic!

Shadow Lake…will have some kind of leaf design, not sure yet though. It might be a little more moody and darker in color? I still have to figure this one out.

Sunset Lake…will be autumn colors, with and without texture.

The names I choose for the collection, are names of real lakes in Massachusetts, where I’m from. I thought it would be really nice to name them after real lakes.

I’m really looking forward to making this collection.

Check out…The Lake House on Pinterest!

What do you think of my new collection?  

 

Leaf Ornaments and Magnets

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I love leaves, I don’t know why? I just do!

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I like using scraps of clay to make leaves. It’s a great way to use up those bits of clay that you really can’t do anything else with.

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Oak Leaves

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Oak Leaf Magnets

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Oak Leaf Ornaments in Indigo Blue

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This is how I sign my pottery

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Oak Leaf Ornaments with Text

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A friend asked me if I could make these. 

Thanks Patricia, it was a great idea!

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I can’t wait to glaze these!

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I really like these!

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More new oak leaves, I call them fancy leaf ornaments.

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I can’t wait to try out some glazes on these! 

What do you think?

Kiln

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This is my kiln…Charlotte Skutt. Yes, I named my kiln, and I think it’s cute!

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Here’s a little peek inside!

Usually I’m so busy loading my kiln, I forget to take photos. Then when I’m done, I remember. “Shoot, I should have taken photos!” Then one day, I finally remembered, and I’m so glad I did!

Hopefully I’ll remember to take photos more often.

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Bottom row done, on to the next row.

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Pieces ready to load.

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I start with the largest items first.

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The next row is done.

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More goodies ready to load.

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I had a lot of ornaments in this load.

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One more row, and then I’m done.

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Had some room for some test tiles.

Time to fire it up!