My top nine posts of the year!
What items would you like to see next year?
I’m planning on making a lot of new items in 2020…so stay tuned!
Happy New Year!!
A day I will never forget…not ever! I’m still processing what transpired that day. I still can’t quite believe it. Sometimes I want to pinch myself, to make sure I’m not dreaming.
If you’ve been following my blog, you know that I had to write the most difficult post I’ve ever had to write on December 31, 2017. If you haven’t read it yet, you can find it here. https://ravenhillpottery.com/2017/12/31/didnt-think-id-have-to-post-this/
Sometimes, it seems to take forever for things to happen and other times, things can change very quickly. So quickly, you think you’re dreaming. It can’t be real…can it?
I’m happy to say, that I have the money to purchase a new kiln, a vent hood, and start working on my workshop. I’m not sure how long my workshop will take? The electrician knows what we need, we’re just waiting on a price. I’ve picked out the kiln and the vent hood already. There’s a lot to do, and once my new workshop is finished, I have to unpack a ton of boxes, get organized and buy lots of clay and glazes.
While I wait for my husband and the electrician to work their magic on my workshop.
I’ll be working on my pottery designs and getting organized. Plotting my book series, is helping me plan my pottery designs and how I’m going to glaze them. I’m going to be so ready when my workshop is finished.
Handmade plates…I love these glaze combinations. Aren’t they pretty?
I’m just a girl who likes to play in the mud. I love the way clay feels in my hands…the way it squishes through my fingers when I throw…and I even like the way it smells.
by Melinda Marie Alexander
Hello! Welcome to my new blog series on glazing tips.
I’m starting with Duncan Renaissance Glazes. I love these glazes! I stumbled across them a while ago, I don’t remember when exactly, and I don’t remember how I found them, but I’m so glad I did. They’re user-friendly, they brush on so easy. I like glazes that are easy to use and consistent, and this glaze is one of them.
These glazes vary, depending on the thickness you use, whether it has texture or not, and how much texture it has. The more texture, the better it looks. Where you place it in the kiln, makes a difference also. Pieces placed at or near the bottom of the kiln are greener, darker and react more with the texture. The pieces at or near the top of the kiln are lighter and don’t usually have a rustic look. I also think it depends on the brushes you use as well.
I use fan brushes for most of my pieces. I use a small brush for the rims, edges and for detail work. For small pieces like ornaments, I use a small fan brush or a small brush, when I run out of clean fan brushes.
As you can see from the photo above, my bird ornament is lighter than my birdie bowl. It has less texture then the birdie bowl, there are several areas on the ornament that have no texture at all, verses the birdie bowl which is completely covered with texture and it was placed at the top of my kiln.
Before I start glazing, I apply wax resist on the bottom of my ornaments, and then I go up the sides just a little, so the glaze doesn’t go all the way to the bottom. I apply three light coats on the top only, and two light coats on the sides. I don’t want any drips or any ornaments sticking to my shelves. When I fire my ornaments. I place them on kiln stilts to raise them up off the shelf.
I apply wax resist to the bottoms of my birdie bowls. Then brush on three coats of glaze on the top, and bottoms except for a small area where the wax resist is. I have several sizes of fan brushes and usually use one of the smaller ones. Then I use a regular small brush for the edges.
As you can see from this photo, the green bird ornaments all look-alike for the most part. The butterflies look darker…they have more texture, and they were placed toward the bottom of my kiln.
This photo shows you the difference between a textured surface verses a non-textured surface and kiln placement. The small bowl at the top of the photo was placed at the bottom or near the bottom and has no texture. The leaf bowl was placed near the top of my kiln and has a little texture.
This is what the glaze looks like on my non-textured ruffle rim bowls. The bottoms were waxed with wax resist and then three coats were applied to the bottoms, inside and rims. They were placed near the bottom of my kiln.
This heart dish was glazed with three coats of glaze on the bottom and top, using a smaller fan brush, and three coats on the sides/edge with a small brush, after it was waxed, like the birdie bowls. This one looks like it was placed near or at the top of my kiln.
The green leaf magnets were glazed like my bird ornaments, three light coats on the top and two coats on the sides. They were fired toward the top of my kiln, see how light they are. The maple leaves were glazed with three coats and are usually placed in the middle of my kiln.
This is one of my handmade dinnerware collections called Lake House, formally known as Brooklawn Park. This glaze loves texture, it makes Lake House look fabulous!
Each piece is slightly different, and completely covered in texture.
I use a large fan brush on the plates and a medium size one for the bowls. They all have three coats of glaze on the bottom (except where I waxed with wax resist), and the top and I apply three coats on the rims with a small brush.
This is another one of my handmade dinnerware collections called Tropical Breeze. They’re glazed just like Lake House, three coats on all sides. But it looks different. The glaze pools in between the raised lines.
Vintage Cottage is another one of my handmade dinnerware collections. As you can see from the photo, the plates were fired near the bottom of the kiln and the bowl was fired near the top. The plates are more rustic looking. I love this glaze!
I hope this has been helpful.
I think part two will be – Vintage Blue
Thanks for stopping by, see you next time!
I’m participating in the…Blogging From A to Z April (2015) Challenge
For at least a week, maybe more…I had absolutely no idea what to blog about, that started with the letter X. I don’t have any items that start with an X, I don’t even know of any pottery terms that start with an X. Maybe there is, and I just can’t think of it right now…I don’t know? Planning a blog post about the letter X…was difficult for me. But, then one day I had an idea!
“I’ll just sketch something!” It started out as a joke really. Sketch a bottle, and put an X on it and call it…X marks the spot. Then I’d have my X blog post.
But, then something happened when I opened my sketchbook, and started to sketch. My hand, and my pencil had a mind of its own, and these bottles are the result! I have to say…that I like these so much, I want to make them!
What do you think?
Those bottles inspired me so much, a few days later I sketched these.
I love these…I’m making these too!
And then last night, I sketched some mugs.
I think I’ll make a whole line of dinnerware with this design. What do you think?
Thanks…Blogging From A to Z, without you…these designs would not exist!
Now…What should I call them?
This is my Vintage Cottage Collection
It’s handmade…one piece at a time. Each piece is slightly different, making each one unique and different. I go into more detail in this post…
The top plate was glazed in…Deep Sienna Speckle by Potters Choice
This one was glazed in…Deep Olive Speckle by Potters Choice
This one was glazed in…Deep Firebrick by Potters Choice
And these are the plates that were purchased for the Tropical Smoothie Cafes…photo shoot. You can read more about it here…
There’s so many other glazes…I want to try. I guess I’ll have to make lots of little plates and do some glaze testing.
When I first made these plates, I had no idea what to call them!
I even had a…name this dinnerware giveaway. The winning name was Plantation Breeze. I kept the name for a while, but it just wasn’t right! Then one day I received this email…
“I am a food photographer in Atlanta. I am needing the exact look that you create for a client of mine: Tropical Smoothie Cafes.
We are creating beauty food shots that will be in all of their restaurant decor.
We are doing a shoot this week and I am wondering if I gave you our FedEx number, if you could overnight some pieces for us.
Their ideal shapes are typically:
– plates: flat as possible and a 6.5-7″
– bowl 1.5-2″ rise and 7″ in diameter.
Let me know asap
I know you make things very close to these sizes, and beautifully.”
Before I even saw the email, she went ahead and purchased 4 plates…two of these and two Vintage Cottage plates. Needless to say, I was excited! I called her right after I read the email, got all the information I needed, packed up the plates and my husband shipped them the next morning.
And that is how they became…
I really like the name now!
I can’t wait to glaze them in different colors.
Do you think I should just glaze them in tropical colors?
Hmmm…I need to think about this.
And now they come in square plates and trays.
I took this photo right after I made these side plates and tray. The rims still need to be cleaned, and the bottoms need to be signed. I’m also planning on making platters with and without handles, bowls, cups and mugs.
I think I’m going to make a set for myself.
Work in progress!
I haven’t decided what to do with this design…yet!
When I started making these plates, I put the design on the bottom…because I wanted a smooth clean surface on the top of the plate, for food. But now, I think I might put the design on the top as well. People can choose which one they like better, or they can mix and match. For example…a dinner plate with the design on the bottom, side plate with the design on the top, and bread and butter plate with the design on the bottom, or the other way around. A dinner plate with the design on the top, side plate plain and bread and butter plate with the design on the top. I think that would be cute!
I’m not sure what colors I’ll glaze them in yet…either?
I’ll have to make a bunch of little plates and do some glaze testing to see how they come out, especially with the plates that have the design on the top. I’ll have to use a transparent glaze or at least a glaze that works well with texture.
I really like this design.
I’m not sure what to call it though? I was thinking about calling it Cobblestone, but I’m not sure? What do you think I should call them?
This glaze is called…Deep Olive Speckle
It’s another great glaze by Potters Choice. It’s easy to use, brushes on nicely and is very consistent. I haven’t had any problems with it…at all! And it’s fantastic with texture. You can see every single detail. I really like that!
It’s definitely a keeper!
A while ago, I purchased two bottles of PC -41 Vert Lustre…mainly because it looked like a really nice dark green. It’s another great glaze by Potters Choice. It brushes on really nice, and it fires well…but it’s really difficult to photograph because it’s so glossy. If you don’t need to take photos, then it’s great!
After working with clay for almost 25 years, I’m getting a little picky with my glazes. They have to brush on easy (if I’m not dipping), they have to be consistent, and they have to photograph well. That’s really important if you sell online. You need good photos. So, if a glaze doesn’t photograph well…it’s gone!
I wasn’t pleased with myself for purchasing two bottles, I usually only buy one bottle at a time when trying out a new glaze. So, I decided to layer it with another glaze and see how that would work out.
I choose to layer it with Deep Olive Speckle.
Now, this is much better! I can photograph it…Yay!
The color is a little different from the test piece by Potters Choice, I kind of like this color better. It’s different because Potters Choice used 2 coats of Deep Olive Speckle and then 2 coats of Vert Lustre on top…four coats total. Four coats scare me, I think that’s a little too much glaze. I don’t want drips (I hate drips), and I don’t want the glaze to run onto my shelf. So, I used 2 coats of Deep Olive Speckle and 1 coat of Vert Lustre on top…three coats total. I like it! I think I’ll keep it. What do you think?
I think I’ll call this color…Pacific Pine
Here’s a close-up view
After trying it out on some leaves, I wanted to see how it reacted with texture. So, I tried it out on a couple of Birdie Bowls. You can see the texture through the glaze, but not as clearly as if it were just Deep Olive Speckle. That’s because Deep Olive Speckle is a translucent glaze and Vert Lustre isn’t. But, I like the way it looks. What do you think?
Here’s the other Birdie Bowl. There’s still some glare from the glossy glaze though. I’ll have to do some extra photo editing the next time I use this glaze combination.
I think this color would be great around the holidays.
Since that glaze combination went well, I think I’ll try these glaze combinations, and see what happens. My test pieces probably won’t look exactly like these, because I’m not using 4 coats. We’ll see what happens!
Hmmm…I have a lot of glaze testing to do!