Glazing with Duncan Renaissance Glazes – Part One: Antique Celadon

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Hello! Welcome to my new blog series on glazing tips.

I’m starting with Duncan Renaissance Glazes. I love these glazes! I stumbled across them a while ago, I don’t remember when exactly, and I don’t remember how I found them, but I’m so glad I did. They’re user-friendly, they brush on so easy. I like glazes that are easy to use and consistent, and this glaze is one of them.

These glazes vary, depending on the thickness you use, whether it has texture or not, and how much texture it has. The more texture, the better it looks. Where you place it in the kiln, makes a difference also. Pieces placed at or near the bottom of the kiln are greener, darker and react more with the texture. The pieces at or near the top of the kiln are lighter and don’t usually have a rustic look. I also think it depends on the brushes you use as well.

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I use fan brushes for most of my pieces. I use a small brush for the rims, edges and for detail work. For small pieces like ornaments, I use a small fan brush or a small brush, when I run out of clean fan brushes.

As you can see from the photo above, my bird ornament is lighter than my birdie bowl. It has less texture then the birdie bowl, there are several areas on the ornament that have no texture at all, verses the birdie bowl which is completely covered with texture and it was placed at the top of my kiln.

Before I start glazing, I apply wax resist on the bottom of my ornaments, and then I go up the sides just a little, so the glaze doesn’t go all the way to the bottom. I apply three light coats on the top only, and two light coats on the sides. I don’t want any drips or any ornaments sticking to my shelves. When I fire my ornaments. I place them on kiln stilts to raise them up off the shelf.

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I apply wax resist to the bottoms of my birdie bowls. Then brush on three coats of glaze on the top, and bottoms except for a small area where the wax resist is. I have several sizes of fan brushes and usually use one of the smaller ones. Then I use a regular small brush for the edges.

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As you can see from this photo, the green bird ornaments all look-alike for the most part. The butterflies look darker…they have more texture, and they were placed toward the bottom of my kiln.

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This photo shows you the difference between a textured surface verses a non-textured surface and kiln placement. The small bowl at the top of the photo was placed at the bottom or near the bottom  and has no texture. The leaf bowl was placed near the top of my kiln and has a little texture.

This is what the glaze looks like on my non-textured ruffle rim bowls. The bottoms were waxed with wax resist and then three coats were applied to the bottoms, inside and rims. They were placed near the bottom of my kiln.

This heart dish was glazed with three coats of glaze on the bottom and top, using a smaller fan brush, and three coats on the sides/edge with a small brush, after it was waxed, like the birdie bowls. This one looks like it was placed near or at the top of my kiln.

The green leaf magnets were glazed like my bird ornaments, three light coats on the top and two coats on the sides. They were fired toward the top of my kiln, see how light they are. The maple leaves were glazed with three coats and are usually placed in the middle of my kiln.

This is one of my handmade dinnerware collections called Lake House, formally known as Brooklawn Park. This glaze loves texture, it makes Lake House look fabulous!

Each piece is slightly different, and completely covered in texture.

I use a large fan brush on the plates and a medium size one for the bowls. They all have three coats of glaze on the bottom (except where I waxed with wax resist), and the top and I apply three coats on the rims with a small brush.

This is another one of my handmade dinnerware collections called Tropical Breeze. They’re glazed just like Lake House, three coats on all sides. But it looks different. The glaze pools in between the raised lines.

Vintage Cottage is another one of my handmade dinnerware collections. As you can see from the photo, the plates were fired near the bottom of the kiln and the bowl was fired near the top. The plates are more rustic looking. I love this glaze!

I hope this has been helpful.

I think part two will be – Vintage Blue

Thanks for stopping by, see you next time! 

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Vintage Cottage Dinnerware

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This is my Vintage Cottage Collection

It’s handmade…one piece at a time. Each piece is slightly different, making each one unique and different. I go into more detail in this post…

https://ravenhillpottery.com/2014/07/06/vintage-cottage/

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The top plate was glazed in…Deep Sienna Speckle by Potters Choice

Potters Choice Glaze Deep Sienna Speckle

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This one was glazed in…Deep Olive Speckle by Potters Choice

Potters Choice Galze Deep Olive Speckle

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This one was glazed in…Deep Firebrick by Potters Choice

Potters Choice Glaze Deep Firebrick

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And these are the plates that were purchased for the Tropical Smoothie Cafes…photo shoot. You can read more about it here…

https://ravenhillpottery.com/2015/04/23/tropical-breeze/

There’s so many other glazes…I want to try. I guess I’ll have to make lots of little plates and do some glaze testing.

 

 

 

 

 

Tropical Breeze

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When I first made these plates, I had no idea what to call them!

I even had a…name this dinnerware giveaway. The winning name was Plantation Breeze. I kept the name for a while, but it just wasn’t right! Then one day I received this email…

“I am a food photographer in Atlanta. I am needing the exact look that you create for a client of mine: Tropical Smoothie Cafes.
We are creating beauty food shots that will be in all of their restaurant decor.
We are doing a shoot this week and I am wondering if I gave you our FedEx number, if you could overnight some pieces for us.

Their ideal shapes are typically:
– plates: flat as possible and a 6.5-7″
– bowl 1.5-2″ rise and 7″ in diameter.

Let me know asap
I know you make things very close to these sizes, and beautifully.”

Best

Parlee Chambers

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Before I even saw the email, she went ahead and purchased 4 plates…two of these and two Vintage Cottage plates. Needless to say, I was excited! I called her right after I read the email, got all the information I needed, packed up the plates and my husband shipped them the next morning.

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And that is how they became…

Tropical Breeze

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I really like the name now!

I can’t wait to glaze them in different colors.

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Do you think I should just glaze them in tropical colors?

Hmmm…I need to think about this.

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And now they come in square plates and trays.

I took this photo right after I made these side plates and tray. The rims still need to be cleaned, and the bottoms need to be signed. I’m also planning on making platters with and without handles, bowls, cups and mugs. 

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I think I’m going to make a set for myself. 

Star Bowls and Ornaments

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These are some of my new star bowls. I’ve been experimenting with different textures. They’ve been bisque fired, but I haven’t glazed them yet. But now they’ll have to wait until I set up my new workshop.

star dishes melinda marie alexander ravenhillpottery.etsy.com with textjpg

These are the first star bowls I made. They came out really nice. The blue one was glazed in…Vintage Blue by Duncan and the other one was gazed in…Rustic Mustard by Duncan. I love these glazes. They work so well with texture.

star ornaments melinda marie alexander ravenhillpottery.etsy.com with textjpg

I love making star ornaments

star ornaments red melinda marie alexander ravenhillpottery.etsy.com with textjpg

These came out really cute. I make these in different sizes, even small ones for little tress. I think I’m going to make some for our tree.

star ornaments off white melinda marie alexander ravenhillpottery.etsy.com with textjpg

These off white stars are really cute too. Now I have to decide…if I want the red ones, or the off white ones for our tree. Maybe I’ll just have some of each, that sounds good.

I think we’re going to need a tree in every room!

These stars make great gift tags too.

What color star ornament would you like on your tree?

 

 

Necklaces

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These leaf pendant necklaces came out really nice!

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This one was glazed in…Goldenrod by Coyote

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A close-up view

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This one was glazed in…Shino by Coyote

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As you can see from this photo…each leaf glazed in Shino comes out different, even when they’re fired in the same glaze firing, and even when they’re on the same shelf. So, each one is unique and different.

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Here’s another view

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This oval pendant necklace has a handmade bead. I’m not sure if I’ll make beads again. I don’t mind making them, but glazing something that small is not fun! 

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Here’s one with a different design.

These were glazed with the same glaze…Bronze Patina by Duncan. This glaze comes out different from piece to piece also.

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The back

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This one was glazed in…Vintage Blue by Duncan

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This round textured pendant was glazed with Bronze Patina by Duncan also. This glaze does very interesting things with texture.

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They came out nice!

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Pendants and Beads

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I’m not sure if I’ll continue making the oval and round pendants?

I might just make the leaf pendants.

Leaf Ornaments and Magnets

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I love leaves, I don’t know why? I just do!

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I like using scraps of clay to make leaves. It’s a great way to use up those bits of clay that you really can’t do anything else with.

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Oak Leaves

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Oak Leaf Magnets

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Oak Leaf Ornaments in Indigo Blue

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This is how I sign my pottery

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Oak Leaf Ornaments with Text

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A friend asked me if I could make these. 

Thanks Patricia, it was a great idea!

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I can’t wait to glaze these!

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I really like these!

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More new oak leaves, I call them fancy leaf ornaments.

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I can’t wait to try out some glazes on these! 

What do you think?

Blue Birds

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Hope is the thing with feathers that perches in the soul, And sings the tune without the words, and never stops at all.

Emily Dickinson

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I love making birdie bowls and bird ornaments!

I wish I could make some right now, but I can’t! I’ll have to wait until we move. My fingers are itching to dig into a bag of clay and make something cute, or pretty, functional or non-functional…I don’t care, I just want to feel the clay in my hands. I want to touch it, squish it through my fingers, smell it…I like the smell of clay. Everyday I go into my workshop, and force myself not to make something. I look at all the pieces that are ready to be glazed, and then I have to leave. I know I have to start packing, but I’m procrastinating. I’m not sure if I’m ready to say goodbye to my workshop.

But then, another part of me can’t wait to move. I’m looking forward to starting over…in a new place, a new state, a new town, a new house, a new workshop. Everything new and clean and wonderful!

And then I remember I have to leave three of my children behind, and my three little granddaughters. That’s not going to be easy, but I have to. If only we could all go. Maybe someday we’ll all be together again…I hope!

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They are really cute, don’t you think?