Potters Choice – Indigo Float

 

Potters Choice Glaze Indigo Float

I think it’s about time I do a blog post about one of my favorite glazes…

Indigo Float

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I’m usually too impatient to make test tiles. It seems like a waste of time to me. It’s not like you can do anything with them, and they take up space in my workshop. So, I usually test a glaze on something small, like ornaments. If it doesn’t come out good, no big deal, if it does, then I have something to sell. 

These leaves were made from a stoneware clay called #50.

The color is a little darker.

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After I test the glaze out on an ornament. I try it on something a little bigger, like these leaves. They were made with B-Mix 5

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Then I like to try something with some texture, like these birds.

Which was made with B-Mix 5

This glaze works well with texture, it’s not completely transparent, but at least it doesn’t cover up the texture like some glazes.

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It definitely works well on this texture!

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Then I tried it out on some small bowls. These came out cute!

I love this glaze! It’s so easy to work with, so nice to brush on, and it’s so reliable and consistent. Everything always comes out great, and the color is beautiful too. What more could you ask for?

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This bowl looks so yummy with these mouth watering strawberries!

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Then I combined Indigo Float with Blue Midnight

I applied one coat of Blue Midnight and two coats of Indigo Float on top. It came out great! As a matter of fact, this bowl was on Etsy’s Front Page!

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This bowl was also glazed with one coat of Blue Midnight and two coats of Indigo Float. I did some photo editing on this photo, so the color is slightly off. It looks like the bowl above. After it sold, I turned it into a food photography photo for my Etsy Shop, but I totally forgot about it, until I did this blog post. I need to list this! Even if no one buys it, it makes a great photo for treasuries.

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I made these plain heart dishes not that long ago, they came out cute! 

I just realized that I haven’t tried this glaze on any of my dinnerware. I think it’s time I do that. Hmmm, now I have to decide on which one. Should I use it on some plain plates or plates with texture? Let me know what you think!

Glazing The Moon!

 

How I glaze…The Moon!

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When I first started making this dinnerware, I hadn’t planned on calling it…The Moon. I was actually thinking of a beachy-coastal theme, especially since I use a sea urchin to produce this texture. But when my husband first saw it, he said. “It looks like the moon.” So I went with it. It didn’t take very long to come up with some names like…New Moon, Full Moon, Moon Dust, Harvest Moon, Moon Shadow and Once Upon a Blue Moon. And I didn’t even have to buy new glazes, I already had everything I needed.

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All the underglazes and glazes I need for this firing, are lined up for easy access. My brushes, and everything else I need is at my fingers tips.

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I place old towels on my table to protect my pottery, it gives it a little cushion, and I don’t want to get wax on my table. It’s so much easier to clean up too. I just roll up the towels and throw them in the washing machine when I have a load. Now I’m ready to wash my plates.

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I use distilled water for washing all of my pottery and for glazing. The reason I use distilled water, is because we have well water. There’s a lot of iron and lime in our water, and I don’t want it to affect my glazes.

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The plates are all washed and drying. Once they dry, I’ll apply black underglaze to the bottom of the plates.

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I use a small brush to apply the underglaze, so I can get inside all the cracks and crevices.

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One coat is done, two more to go!

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After all three coats are applied, I let them dry really well.

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This is the part I’m not to crazy about! Washing (scrubbing) the black underglaze off and leaving it only in the cracks and crevices. I can’t even tell you how many times I need to change the water, or how long it takes! Lets just say, it’s a lot of work.

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One more to go…Yay!

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After all that scrubbing, here they are! All cleaned up and ready for waxing!

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Once the wax is applied to the bottom of the plates, and they are completely dry. They’re ready for glaze. I use a fan brush to apply the glaze on the top of the plates, and a round sable brush for the rim.

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And after three coats of glossy black glaze, they’re ready to load in my kiln.

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This is what the bottom of the plates look like after they are fired. I love the way they look and feel!

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And here they are…all finished!

I’ve been thinking about doing these in the beachy-coastal theme I was telling you about before. Creamy off white clay with beachy colors. What do you think?

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